Saturday, December 30, 2017

Love and Saucers now available for viewing

painting by David Huggins
Love and Saucers is new documentary. It's the story of David Huggins, a 72 year-old Hoboken man who claims to have had a lifetime of encounters with otherworldly beings, including an inter-species romance with an extra-terrestrial woman. The story is chronicled with David's eerie paintings.  The video is available for streaming or rental and various sites, all liked HERE.

the artist
I saw a short teaser video for this film back in 2014. It was only a minute or so long, but I was very worried that that the overall project would take advantage of David. My fear was that the film would  be mean.

I sent the Director, Brad Abrahams, an email. In it, I said, "I just saw your short video on David Huggins. I realize you are doing a documentary, and I hope you will respect David and his gentle ways… I have spent many hours in conversation with him, and he is a very sweet man. I implore you not to take advantage of his life experiences and create something sensationalistic.”

He replied the same day: "Believe me, my only intention is to tell David's story as faithfully as I can. I stayed with him for a few days over a year ago, and agree completely that he is both sweet and sincere.”

I am happy to say the director told David's story with great care. Many of the accounts and paintings focus on sex with an alien woman, and this could have been easily exploited. The strangeness is kept in check by David's very calming presence. This movie is highly recommended.

Other stories about David HERE


Friday, December 29, 2017

Diana Walsh-Pasulka talks about American Cosmic

coming in the spring of 2018
Dr. Diana Walsh-Pasulka has just finished what will likely be a groundbreaking book on the UFO subject. American Cosmic, subtitled UFOs, Religion and Technology. It will be released in the spring of 2018.

Greg Bishop did an amazing interview with Diana on Radio Mysterioso, and this is recommended listening.

  Radio Mysterioso interview linked HERE  

American Cosmic tells the story of her journey from religious scholarship to a seat in the forefront of some of the most groundbreaking research and thought in the subject. The book site is linked HERE. And read the full preface HERE.

Saturday, December 23, 2017

Audio reading from chapter 17 in STORIES FROM THE MESSENGERS

As it passed me, the owl turned its head and stared directly into my eyes.

This is my voice (the author) reading from the soon to be published book Stories from The Messengers. I am reading chapter seventeen titled, Owls and Gratitude. I took it upon myself to read this aloud because of my voice. I've have a chest cold and my normally squeaky voice is much lower. The chapter is about 42 minutes long.

  audio excerpt from Stories form The Messengers linked HERE  

Just so folks know, I truly want to do an audio version for both books, but there's no foreseeable date for it's availability.

(I found a mistake at about the 27 minute mark, I repeated a sentence—oooops!)

Monday, December 18, 2017

The New York Times has stated we are trying to back-engineer UFO technology

The New York Times has stated that recovered metals from UFOs are being "stored" in special buildings built by Robert Bigelow. Then C.I.A. insider Hal Puthoff implies they are trying to "figure out" what this stuff is. It is written out plainly.

Lemme say this nice and clear:

This is an open admission of
back-engineering technology
from recovered UFOs.
excerpt from the New York Times, Dec 16 2017
Contracts obtained by The Times show a congressional appropriation of just under $22 million beginning in late 2008 through 2011. The money was used for management of the program, research and assessments of the threat posed by the objects.

The funding went to Mr. Bigelow’s company, Bigelow Aerospace, which hired subcontractors and solicited research for the program.

Under Mr. Bigelow’s direction, the company modified buildings in Las Vegas for the storage of metal alloys and other materials that Mr. Elizondo and program contractors said had been recovered from unidentified aerial phenomena. Researchers also studied people who said they had experienced physical effects from encounters with the objects and examined them for any physiological changes....

“We’re sort of in the position of what would happen if you gave Leonardo da Vinci a garage-door opener,” said Harold E. Puthoff, an engineer who has conducted research on extrasensory perception for the C.I.A. and later worked as a contractor for the program. “First of all, he’d try to figure out what is this plastic stuff. He wouldn’t know anything about the electromagnetic signals involved or its function.”
Full article linked HERE

Sunday, December 17, 2017

Peter Levenda declares Disclosure

Tom Delonge, Peter Levenda, John Podesta and two unknown men to the right. 
I think this photo was taken during a video shoot for a documentary project.

The text below is from author Peter Levenda. It was posted on Facebook early in the morning on December 17 2017. He is referencing the recent articles in mainstream press about UFOs (see HERE)

I am not as optimistic as Peter is in his statement. I am certain there is a hidden agenda behind these new admissions. I'm feeling cynical about all this, and I ain't gettin' my party hat on for the dawning of a new age—not quite yet.

Peter has worked with Tom Delonge in his recent publishing efforts.

From Peter Levenda:

By now most of you will have learned about the articles that have been appearing in the New York Times, the Washington Post, Politico, USA Today, and elsewhere in the US mainstream press as well as the world’s press that the Pentagon has released film footage of UAP (Unidentified Aerial Phenomena) otherwise known as UFOs. This was done exclusively through To The Stars Academy of Arts and Science (TTSAAS), the project started by Tom DeLonge and with which I have been involved – via Sekret Machines – since 2015.

The revelations that the Department of Defense had a project, funded by a black budget, to investigate UFOs during the period 2007-2012 will surely come as a surprise to some critics who believed that all that was over with Project Blue Book’s termination in 1970. It will not come as a shock to many who believed this was happening all along, of course. What is surprising, however, is that this is confirmation of what had only been suspected. We no longer have to speculate about black budgets funding UFO research: it has been confirmed. We no longer have to speculate about top secret film footage of UFOs taken by the military (and in recent years, no less): this, too, has been confirmed. Even further, we no longer have to speculate that elements of the US Government have been aware of this for years.

If you were waiting for Disclosure, guess what: it happened.

Your next question may be: why all the secrecy up to now? The US Senator who jump-started this particular project, Harry Reid, made it clear: it was a question of national security. We’ve known that all along, but until now no one in a position of authority has come out to tell us that so bluntly. (At least, not outside of Hollywood movies.)

But it seems to me the Pentagon project could only go so far in answering all of our many questions about UFOs. I believe what is required now is a more concerted effort by individuals from all branches of learning: in both the “hard” and the “soft” sciences, to be sure, but also in terms of the arts, for the imaginative “thinking outside the box” quality that artists, musicians, and writers bring to the table. (Think of Arthur C. Clarke and Philip K. Dick, for example.) For this effort to succeed, we need participation by everyone: every field of human endeavor, every race, every ethnicity, every religion (agnostics and atheists as well), every gender, every age, every political persuasion. No one has a monopoly on truth; everyone has a piece of the puzzle. We are all blind men with the UFO elephant in the room, and we can only know this particular elephant by pooling all of our impressions, all of our resources.

So, what do we know?

The US government has been studying the Phenomenon in secret for years. It was funded by a black budget. It was a project of which most people in the Pentagon were not aware, it was that secret. And, as Harry Reid stated, it was about science as well as national security. So who do we have working with us in Tom’s project so far? Scientists and national security experts.

We know that – however it happened, whatever machinations behind the scenes took place to make sure it happened – this is government disclosure. It may not be full disclosure, but as we used to say in Latin class: ovum ruptum est. The egg is broken. There’s no going back.

Congratulations! Just think: You were alive to see it happen. It’s a bittersweet achievement, however, when I think of all those who believed but who are no longer around to share the experience with us. I am thinking especially right now of Jim Marrs, who would have loved to have been here for this. This Negra Modelo is for you, Jim! Salud!

Watch this space.
(pun intended)

Saturday, December 16, 2017

The New York Times ran two separate stories about UFOs

Today the New York Times ran two separate stories about UFOs. The by-lines for both articles lists three writers, Helene Cooper, Leslie Kean and Ralph Blumenthal.

One article details a sighting by a Navy pilot above the Pacific west of San Diego. The other article states that the Pentagon had a program that investigated reports of unidentified flying objectswhich was run by military intelligence official, Luis Elizondo. Elizondo is now part of the To The Stars team fronted by pop star Tom DeLonge.

The former Navy pilot, David Fravor, said he was “pretty weirded out” by this unexplained episode in 2004 while staging off the aircraft carrier Nimitz. This seems to be the same event that was discussed as part of the October 10 announcement by Tom DeLonge and his team of government insiders.

Both articles are very dry and written without any “giggle” factor. Were these articles the result of dogged investigative reporters rolling up their sleeves to uncover a good story? Or, were they orchestrated by elements within the government for some long term purpose?

I do not know, but it’s my sense is that for these stories to be covered in the paper of record, powers within the Pentagon must have given their okay.

Both articles link video footage of something disc shaped filmed from what seems to be a military aircraft. Interesting, but it doesn't show much beyond an oval blob. This is not a smoking gun. Both articles linked below:

And here is a post about the New York Times covering UFOs in an article by Ralph Blumenthal from April of 2017.

All the articles above are recommended reading. Below is a short video clip from Tom DeLonge's media company.

Louis Elizondo referenced in todays New York Times

Thursday, December 14, 2017

owl image in blood

Blood stain mimics the cover of the book

Peter Schenk
I met Peter Schenk a bit over a month ago at a local retreat center. I was helping my partner Andrea who was performing a Sound Bath during a weekend retreat. Peter was one of the speakers and while talking with Andrea she mentioned my owl research.

He had never heard of any connection between owls and UFOs, and he suddenly remembered he had seen an owl the night he had a missing time event. He told me about that while walking out to his mailbox at night he saw a massive white owl. He said, “It didn’t look artificial but it didn’t seem real.” Later that same night he remembers being taken from his bed, and returned with no memory of what happened.

Peter is working as a psychic intuitive and healer, and he says he can offer insights into other peoples experiences, but cannot figure out what happened in those hours. He was also surprised that he’d completely forgotten that he’d seen that owl, the memory resurfaced when Andrea mentioned my research. Also of note, the owl sighting happened at the mailbox, a source of receiving messages. I mailed Peter a book a few days after we met.

close-up of the blood stain
Yesterday morning I got a photo showing a blood stain on the side of my book The Messengers.

Peter had cut his finger the day the book arrived. He had put a band-aid on the cut, but it was still bleeding enough that he got some blood on the book. It wasn’t until yesterday that he realized the small spot of blood looked curiously like an owl, specifically the owl on the cover of the book.

I am at the point now where this kind of thing should be pretty normal, but this one packed a whammy. I mean, the blood of a psychic healer making a tiny owl on my book?

His website describes Peter as a spiritual visionary who left a successful career as a computer programmer for one of the world’s largest banks to fulfill his mission to heal the world.
the photo sent to me by Peter with his blood on my book

Wednesday, December 13, 2017

Just topped two million views

Not sure what this really means, but this blog has just topped two million page views. The first post was almost nine years ago, back in March of 2009.

Below is a listing of the top-ten all time highest viewed posts. Curious that Tiny Dots in a Triangle on My Left Arm is far and away the most viewed post. What it tells me is that a lot fo people are doing a Google search about their own odd scars.

the ten most popular posts on this blog

Monday, December 4, 2017

two years ago today

Looking back and looking forward

The Messengers was published on this day in 2015. The companion book should be out soon—hopefully around the New Year.

The first book has sold quite well given the small market for UFO related books. I checked this morning and it was noted as number 12 in Amazon sales ranking for UFO books on Kindle. 

You can read Richard Dolan's foreword to the 2015 book HERE.
  Kindle and Amazon sales linked HERE   
That said, please do what you can to support your hometown bookstore. They can easily order it and then call you when it arrives. They usually get free shipping and can sometimes offer a low price. If you give them the number (below), it makes it a little easier to find the book.
ISBN-13: 978-0-9677995-7-5