Owls in mythology

What follows is an excerpt from a book in progress. This is the opening segment of the chapter on owls in mythology. Please do not reproduce (but linking is fine).

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Myth is the secret opening through which the inexhaustible energies of the cosmos pour into human manifestation... 

Joseph Campbell (1904-1987)

Hero with a Thousand Faces

The power of myth 

When asked to define mythology in one sentence, comparative mythologist Joseph Campbell said that would be like trying to define life in a single sentence. He then went on to say that his simplest on-the-street definition of myth would be a story told almost exclusively in symbolic terms. 

Mythology as a word has two parts, the prefix myth, which by most definitions equates to a fable, or something that isn’t true. All too often the word myth implies a purely fictitious narrative that was told and re-told throughout ancient cultures. The suffix ology means “the study of,” so mythology means the study of myths. Looking in the dictionary, the word myth means something that is not true, a widely held but false belief or idea. When using the term myth, most people will hear it as something without any meaningful value. 

mythologist Joseph Campbell

Campbell spoke of two schools of thought on the study of myth. The objectivitist would view myth as nothing more than primitive fairy tales, something obsolete. A dusty book on a shelf, full of old fables that can be scrutinized by the rational academic.

The second school, the subjectivists, would see myths as something much more vital, a timeless reflections of universal truths, values and archetypes. Myths carry a significance in our lives, playing an important role. As I proceed forward, I will be weighting the subjectivist side of the scale with a disproportionate zeal. If the ideas in this book seem biased towards the mystical, that’s because they are. 

Campbell also said, “Myths are clues to the spiritual potentialities of the human life.”

Intro to owl myths

The owl has two major symbolic meanings. One is wisdom, the other is death. These divergent meanings probably stem from the owl itself. With their huge eyes and intense gaze, they have an aura of intelligence and regal serenity. A biologist would see those huge eyes as a well evolved tools for hunting in the dark, the poet would see those same eyes as being able to penetrate into your soul. Owls don’t simply appear as wise, they seem too wise. So much so that they come across as mystical.

Owls can see into the darkness, and this is the overriding metaphor for it’s spiritual powers. It can see into the other world, the underworld, the realm of the dead or the dark world. Like the shaman, the owl can travel to the other realms and then come back with it’s message. The owl as messenger is interwoven into much of this lore, whether delivering wisdom or a portent of death.

The ancient owl motif is connected to the feminine. The day is masculine and the night is feminine, with the sun and moon as counterparts. The 28-day lunar cycle equates to a woman’s cycle. Owls tend to gravitate towards goddesses and fertility icons. In ancient Babylon, the hooting of an owl at night was thought to meant the cries of a woman who had died in childbirth, now searching for her lost baby. This is a grim insight into an era where giving birth was dangerous, often the cause of a young woman’s death.

Owl as night omen

The owl, as a symbol, can be a total downer. This role is paralleled across the ages and across almost every mythic tradition, the owl is seen as an evil omen. Nighttime must have had an entirely different meaning before the electric lightbulb, and all sorts of folklore evolved that painted the darkness as something ominous and sinister. The owl represents the night, and thus it became the totem for all the menacing things hidden in the dark. That includes the internal darkness of the mind and the subconscious. Goya, no stranger to metaphoric symbolism, used owls (along with bats and cats) in a depiction of a nightmare. In his 1799 etching, The Sleep of Reason Produces Monsters, a group of sinister owls hovers over the tortured sleeper.

Goya’s The Sleep of Reason Produces Monsters

Owls and death

Darkness, the domain of the owl is equated with death. This connection is easy to understand, the owl is an animal of the night, rarely seen in the daylight. Death, darkness and owls can all be seen as sinister. Even today, seeing an owl can be unsettling, there is something about them that projects a menacing intensity. In China, the owl is called the bird who snatches away souls.

For most of the world’s cultures, the owl is an ominous sign. Many traditions believed that merely hearing it’s screech in the night was a harbinger of death. In Hungary, the owl is called the bird of death. This storyline continues right now in real stories from real people. I have collected a wealth reports of owls showing up either right before a loved one dies or just after, so many that they get their own chapter.

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Vomanomalous, a UFO site from Denmark

Thomas Brisson Jørgensen is a Danish researcher with an excellent website, titled Vomanomalous. He posted a report that features an overlapping set of stories, along with a small owl cameo. This account is like a spiderweb with threads leading off in every direction, and each one connects to something interesting. although . I am finding that the MORE complex a case, the more I trust it. These tangled knots are terribly difficult to make sense of, but for me it a form of confirmation. I trust this story precisely because it is so hard to understand.

  full article linked HERE  

Suddenly, for some reason she can’t recall – or maybe there was no particular reason - Marianne looked out the balcony window. There, immediately outside, hovering above the ball court, was an object of bright aluminum complexion, without any visible windows or doors or other distinguishable features. Anne says that the “body” of the object was about 5-6 meters long, and the “wings” maybe 1.5 meters each. The things that attached the “wings” to the body seemed to her like some kind of pipe system. She made a sketch of it which you can see just below.

sketch drawn by Marianne

Marianne describes the rest of the experience as if time itself started to fall apart, or as if two different timelines were moving along at the same time. The object was moving, but very slowly. She noticed that all sounds and smells now disappeared, almost as if her surroundings faded away from her, and she felt that her sense of space and time was the only “real” thing present - all tell-tale signs of what British veteran ufologist Jenny Randles has dubbed the Oz Factor.

This is just the beginning of a set of overlapping weirdness. Another excellent article from Thomas HERE.

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silence

I have no interest at all in the newly released Roswell slides. No further commentary.

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